There’s a strong sense that his buildings grow out of the ground, especially in projects like George Pearl Hall or the Nelson Fine Arts Center. Even with their heavy, weight-driven compositions, there’s always a feeling of movement.Predock doesn’t seem to be designing static spaces. It feels more like he’s organizing a structural experience meant to be moved through by the body and stirred by the wind
There’s a strong sense that his buildings grow out of the ground, especially in projects like George Pearl Hall or the Nelson Fine Arts Center. Even with their heavy, weight-driven compositions, there’s always a feeling of movement.Predock doesn’t seem to be designing static spaces. It feels more like he’s organizing a structural experience meant to be moved through by the body and stirred by the wind